Beethoven Interpretations Research Paper Example | Topics and Well Written Essays - 1250 words

van Beethoven Interpretations - Research Paper ExampleBeethoven was showing signs of romanticism in his middle period. Beethoven left the sonata form but the freedom he gave each movement is typically Romantic. The Piano Sonata N 27 is a beautiful piece of music which has been interpreted in many a nonher(prenominal) different ways. The Sonata has three movements adagio sostenuto, allegretto and presto. It can take anywhere from 12 minutes to 15 minutes to perform dep differenceing on the interpretation. Beethoven composed it in 1801. He personally put the quote as Quasia una fantasia or almost a fantasy. This means that it can be contend as the workman agrees fit. In listening to the difference of performance, it can be said that Beethovens title is more accurate than lunar month Sonata. A fantasy gives more freedom to perform the music as the performer wants. The name moonshine Sonata was given as a publishing trick. Some say it was given after Beethovens death. Others say B eethoven gave it as a tribute to his student, Guicciardi. Beethoven had fallen in love with her, a countess. He knew he could never marry some whiz of that social class. It is unlike him to cast off been so open as to name a sonata after someone who was paying the bills. This sonata was composed in his middle period. He was not compose romantic music. The title was misplaced (5). His music was steadily leaving the classical form (Waltz). In this Sonata, you see a difference amongst each performer, which is contrasting. Beethoven would have been heavy in his interpretation. He was already affected by his deafness. The loud pounding of the keys in the last movement enabled Beethoven to go out the vibrations. I listened to many different interpretations in order to get the right feeling for the Sonata. In my research, I axiom that the Moonlight Sonata was one of his most famous sonatas. I was surprised at seeing that it could be played so differently by such artist. I chose two ar tists to explain the three movements (the whole Sonata) in order to have a comprehensive feeling of the dynamics and tempo Bareboim and Gould. Their interpretation is so different. hence I chose two other artists in order to compare their first movement Horowitz and Brendel in appendage to Bareboim and Gould. I think my favorite of them all was Gould because I felt he was the closest to how Beethoven would have liked the Sonata to be played. In terms of the first movement, I felt it was a classic to hear Horowitz. http//www.youtube.com/watch?v=HpOb5NxtG-w Baremboim played the first movement with emotion and slowly. He was sad or pensive. His pattern was sad. The dynamics were softly played piano. There was, to a fault, much of a difference with the two hands. The bass move to have the same level of sound during the whole movement and the treble would have crescendos and be too loud. He used a little bit of the rubatto effect. The timing of the first movement was 6.55. Only towa rds the end did the two hands converse with each other. The end was slow. There was too much conflict between the three note motif and the left hand. His left hand dominated the right only one time during the movement. Towards the end of the movement, he increased in volume and there was a slight crescendo of the left hand which tapered off in the final measure. His bass and treble were blended and not articulate. The Allegretto of the 2nd movement was still slow. It was happy.